Pajoma/Collective

Pajoma = ‘Inclusive/collective’ (Swahili)

A free performance by an emerging company of Black & Asian, d/Deaf, Disabled and Neurodivergent creatives.

What happens when an ancient god arrives on the streets of Tottenham…?

Theatre should be for everyone, and Arts Bridge Charity (ABC) ensures that it is. Founded to break down barriers to arts access, ABC fosters community cohesion and civic pride through bold, socially engaged work that amplifies marginalised voices.

With funding from Cockayne Foundation, Arts Council England, Garfield Weston, The Woodward Charitable Trust and Leigh Day, ABC launched Pajoma/Collective—a thrilling new initiative placing Black and Asian, d/Deaf, disabled, and neurodivergent creatives at the heart of its storytelling. This inaugural performance was not just a show; it was a statement about the power of inclusion and representation.

A free performance, co-produced with Almeida Theatre, Bernie Grant Arts Centre, and Graeae Theatre Company, Pajoma/Collective’s debut production was a theatrical collision of past and present. An ancient god appeared on the streets of Tottenham, setting off a narrative that pulsed with energy, myth, and modernity. The ensemble cast delivered compelling performances, their chemistry electric, their storytelling utterly immersive.

Crucially, accessibility was embedded in the production’s DNA. British Sign Language, captioning, and audio description were seamlessly integrated, ensuring an inclusive experience for all audience members. This approach extended beyond the stage—accessibility was a cornerstone of the rehearsal process itself, fostering a space where artists could thrive. "This project has shown me that there’s a place for me in this industry," said actor Grace Kadanga. "I loved being in a space where it was safe to make mistakes and everyone’s needs were considered." Fellow performer Delano Byfield echoed this, describing the experience as one that left him feeling "mentally, physically, and emotionally stronger.”

Much of the production’s success was due to the ingenuity and artistry of its creative team.

Director Andrea Ling masterfully shaped the piece, bringing a striking vision to life with sensitivity and flair. Virginie Taylor’s video design and creative captions blended seamlessly with the live performance to enrich the narrative. Sound designer Pouya Ehsaei created a soundscape that was both evocative and immersive, heightening every moment with precision and depth. Joseph Fletcher’s movement ensured that every physical gesture carried weight and meaning, infusing the production with a powerful dynamism. The masks, designed by Garry Rutter and John Harmer, added an extra layer of theatrical magic, transforming performers and heightening the production’s mythic resonance.

Performer Juley-Ann Smith reflected on the deep impact of the project, describing it as life-changing. She spoke of Pajoma/Collective as a true community where she found inspiration in every individual involved. Having previously struggled in academic spaces, she saw this as an environment where real learning about theatre and performance could thrive, making her proud to be part of this vital side of British theatre arts.

The audience’s response was just as impassioned. "I loved the visuals—the lighting, the captions, the way sign language was embedded into the show," remarked one attendee. Another reflected on the sheer power of the storytelling: "The simplicity of it made it all the more moving." Others praised the production’s innovation, with one audience member noting, "The multiple types of media used were a delightful surprise!" Another audience member pointed out, "The accessibility elements were fantastic.”

Executive Producer Amanda Bright underscored the project’s mission: "During this 16-week endeavour, we ensured that every collaborator was supported and that every voice was heard. This wasn’t just about making theatre—it was about making change."

With Pajoma/Collective, ABC not only launched a remarkable theatrical experience but also set a precedent for what theatre should aspire to be: bold, inclusive, and deeply resonant. This was more than a performance; it was a revolution in representation. If this debut was anything to go by, Pajoma/Collective is a force to be reckoned with.

PAJOMA | ADJECTIVE (SWAHILI)

1. INCLUSIVE - NOT EXCLUDING ANY OF THE

PARTIES OR GROUPS INVOLVED IN SOMETHING

2. COLLECTIVE - DONE BY PEOPLE ACTING AS GROUP